VXON is a five-member Filipino P-pop boy group under Cornerstone Entertainment composed of C13, Sam, Franz, Vince, and Patrick. Pronounced as “vision,” VXON officially debuted on January 7, 2022, with the single “The Beast.” Known as the Monsters of P-pop, the group built its early identity through hard-hitting performances, bold concepts, rap-driven energy, strong vocals, and a confident sound that helped them stand out among newer P-pop acts.
Since debuting, VXON has continued to expand its music and performance identity through releases such as “P.S.,” “Fiyaah,” “Dulo,” “Lisan,” “Sandal,” “SSP (Saksak Sa Puso),” “Kalaw,” “Agila,” “Tabi Tabi,” and “Dapat Lang Ako Lang.” The group released its first full album 20:20 in 2024 and followed it with its second full album Pasakalye in 2026. VXON also held their first solo concert, Kalawakan, at SM North EDSA Skydome in February 2026, followed by Kalawakan: The Evolution at the New Frontier Theater in June 2026.
C13 is the leader and main rapper of VXON. He is known for his rap skills, confident stage presence, creative input, and strong leadership within the group.
Sam is a member of VXON known for his vocals, rap delivery, acting background, and expressive performance style.
Patrick is the main dancer and youngest member of VXON. He is known for his sharp dance skills, performance energy, and strong stage control.
Vince is a member of VXON known for his vocals, visual presence, and polished performance style.
Franz is the main vocalist of VXON and is known for his strong singing voice, emotional delivery, and musicality.
VXON is a five-member Filipino P-pop boy group under Cornerstone Entertainment, composed of C13, Sam, Franz, Vince, and Patrick. Pronounced as “vision,” the group officially debuted on January 7, 2022 with the single “The Beast,” arriving in P-pop with a sound and concept that made their intentions clear from the first track: bold, rap-driven, performance-heavy, and built for stages that demand presence rather than simply invite it. Known as the Monsters of P-pop, VXON has spent four years doing exactly what that tagline promises.
By 2026, VXON had released two full albums, held two solo concerts, and built a catalog that spans the full range of what a P-pop boy group can sound like when it commits to a clear identity and keeps pushing it forward. The Monsters label has never been purely aesthetic. It describes a group that performs with a particular kind of controlled aggression and ambition that distinguishes them in a scene that continues to grow more crowded around them.
The decision to spell VXON the way they do, replacing the expected vowels with a V and an X, reflects the same visual boldness that runs through everything the group puts on stage. Pronounced “vision,” the name sets an expectation: this is a group that sees clearly where it is going and moves toward it without flinching. The Monster Rookies label they carried in their early career has since given way to simply Monsters of P-pop, a natural evolution for a group that has long since moved past the rookie stage.
VXON has built one of the more substantial catalogs among active P-pop boy groups, covering their debut era through two full albums and a consistent stream of singles that have each added something distinct to the group’s sonic world.
“The Beast” set the tone for what VXON was building: hard-hitting production, confident delivery, and the kind of stage presence that made them immediately recognizable as something different from the warmer, more accessible pop acts entering the scene around the same time. “P.S.,” “Fiyaah,” “Dulo,” and “Lisan” followed across their early career, expanding the catalog and giving VIXIES a body of music that reflected the group’s range across rap-driven anthems and more emotionally layered tracks. “Sandal,” “SSP (Saksak Sa Puso),” “Kalaw,” and “Agila” continued that output, each one adding texture to what VXON sounds like across different production registers.
VXON’s first full album, “20:20,” arrived in 2024 as the most complete statement of the group’s sound up to that point. The album title plays on the concept of perfect clarity of vision, which mirrors the “vision” reading of the group’s name and frames the release as VXON finally seeing and showing themselves in full. “20:20” gave VIXIES a cohesive body of work that rewarded listening as an album rather than a collection of individual singles, and it established VXON firmly as a group capable of sustaining a full album format across multiple tracks without losing energy or focus.
VXON’s second full album, “Pasakalye,” released in 2026, is the group’s most ambitious release and the clearest picture of where they are after four years of active work in P-pop. The album contains eight tracks: “Dapat Lang Ako Lang,” “Pelikula,” “Lamoba,” “Walang Iba,” “Taguan (Tayo Lang),” “Sht Sobrang Init,” “Tabi Tabi,” and “Sikretong Malupet.” The range across those eight titles reflects a group comfortable moving between emotional registers, from the assertive confidence of “Dapat Lang Ako Lang” and the playful heat of “Sht Sobrang Init” to the more intimate territory of “Walang Iba” and the narrative pull of “Pelikula.” “Pasakalye” demonstrates that VXON’s second album is not a repeat of the first but a genuine expansion of what the group can do across a sustained body of work.
One of the clearest markers of where VXON stands in P-pop is the fact that they held not one but two solo concerts in 2026. Kalawakan took place at SM North EDSA Skydome in February 2026, giving VIXIES the first full solo VXON concert experience and confirming that the group had built an audience large enough to fill a venue of that scale on their own name alone. Kalawakan: The Evolution followed in June 2026 at the New Frontier Theater, a venue with a different character and intimacy than the Skydome, allowing VXON to show a different dimension of what they do live across two concerts in the same year.
Two solo concerts in a single year is not something every P-pop act achieves, and the fact that VXON did it while simultaneously releasing their second full album reflects a group operating at full capacity across both their recorded output and their live career.
Billboard Philippines spoke with VXON about how they see the P-pop landscape evolving, and the group’s perspective, describing it as a dynamic cultural movement, reflects a genuine engagement with what the scene is becoming rather than simply a promotional talking point. Republic Asia Media has similarly covered VXON as a group that has maintained its Monster identity across multiple years and multiple phases of the scene’s development, which is a meaningful distinction in a landscape where many groups struggle to stay recognized as the roster keeps expanding.
VXON’s appearance at Gen Z Live Cebu placed them in front of a regional audience outside Metro Manila and demonstrated the group’s ability to perform and connect beyond the capital, which matters for any act building a national rather than purely Metro Manila-based fanbase.
VXON’s fandom name is VIXIES, a name that carries both the V of the group’s name and a playful feminized energy that contrasts interestingly with the Monsters concept the group presents on stage. That contrast is part of what makes VIXIES a distinctive fan community: the group is bold, hard-hitting, and performance-heavy, and the people showing up for them are a community built around that specific energy. VIXIES have followed VXON through the debut era, through “20:20,” through Kalawakan, and into the Pasakalye chapter, building a shared history with the group across four years of consistent output and escalating live ambition.
As VXON continues releasing music and expanding their presence in P-pop, VIXIES remain the community that shows up for every album, every concert, and every stage moment the group delivers. This profile on PPop Beats stays updated with VXON’s latest music, member news, and milestones as the group continues their chapter in P-pop.
